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毛利悠子 個展
Yuko Mohri Solo Exhibition 2025.05.03 - 2025.06.14 |
開幕 Opening | 2025.05.03 (六) Sat. 1 pm
座談 Artist Talk | 2025.05.03 (六) Sat. 2 pm 與談人 Panelist | 林珮鈺 Lin Pei-Yu 就在藝術空間 總監 Director of Project Fulfill Art Space |
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展覽簡介
「在創作的某個階段中，我從線上拍賣購買了好幾組古董喇叭和音響，每個都比我自己的體重還有份量。 當我在工作室裡播放這些音響，耳朵與皮膚感受著從喇叭錐體傳出的聲音與震動時，一個簡單的問題浮現在我腦海：這些震動為什麼會產生？那瞬間我意識到，這些“聲音”和“震動”，還有它們通過電源插頭、經過電纜和擴大器產生的這個“原理”就在我眼前，而我正“看著”這一切。 這與單純聆聽音樂的經驗有些不同。 令我為之著迷的是，聲音強度與頻率的不同如何改變電流的形式？電力是如何從牆壁流瀉而出？它又來自於牆後的哪裡？我的想像力因而延伸到世界的每個角落。 在展覽《LED》中，我希望能追溯電力的路徑，並觀察「讓能量分解(Let Energy Decompose)」的風景。」——毛利悠子 在本次台北展出中，《LED》將聚焦於聲音的視覺性與電流形變的過程，展出《Decomposition》以及《 Orochi 》兩個系列作品。 《Decomposition》是一聲音與光的裝置系列。透過水果中的水分產生電能，轉換成閃爍的燈光或嗡鳴聲。這系列作品於2021年香港大館初次亮相，隨後於就在藝術空間個展《 SOLO 》中展出，之後陸續於國際大展曝光，2024年登上威尼斯雙年展，成為此屆最受歡迎作品之一。而2024年底在東京Artizon Museum舉行的個展《On Physis》中，毛利進一步結合展場現有的LED牆面，讓水果的電能轉換至更震撼視覺的大面光源。 本次於就在藝術空間的個展，便是Artizon Museum的延伸再進化。這裡的《Decomposition》將串連老件劇場用音響以及大片LED面板，讓電流轉換成可感知的聲音、光線及震動。裝置的視覺上捨棄近年的木材質，替代以透明，簡潔定調，創造新的視覺效果。 《Orochi》系列則如其名，來自日文中「大蛇」之意。其中盤繞的電纜像是一條蛇，接收場域內流動的無線電訊號。這些訊號經過轉換後成為磁力，使懸吊的磁鐵在無形的能量場中微微晃動，藉此讓我們的肉眼看見訊號的模樣。 。。。。。
About Exhibition
Somewhere along the way, I have purchased a number of antique speakers, heavier than my own body weight through online auctions. When I play them in the studio and feel the sound and vibrations coming out of the speaker cones with my ears and skin, a simple question comes to my mind: why do these vibrations occur? Then I realize that I am seeing the sound or the vibration, and the mechanism that produces them from the power plug, through the cables, and the amplifiers. That is slightly different from the experience of listening to music. What intrigues me is how the differences in sound intensity and frequency change the form of electricity. How electricity is supplied behind the walls, and where it comes from, my imagination stretches to every corner of the world. In the exhibition “LED,” I would like to look at the path of electricity and see the landscape of Let the Energy Decompose. — Yuko Mohri The exhibition “LED” focuses on the visuality of sound and the transformation of electric current. It features two major series: “Decomposition” and “Orochi”. Decomposition is a series of sound-and-light installations. The water in fruits generate electricity then transformed into flickering lights or low hums. First unveiled at Tai Kwun in Hong Kong in 2021, the series was later exhibited in Mohri’s solo show “SOLO” at Project Fulfill Art Space, and has since garnered global attention. In 2024, it was showcased at the Venice Biennale, where it emerged as one of the most celebrated pieces of the edition. It also appeared later the same year in Mohri’s solo exhibition “On Physis” at Artizon Museum, Tokyo, where the artist integrated large-scale LED walls to amplify the energy transformation into an immersive visual experience. The upcoming exhibition in Taipei expands upon this recent development. Here, Decomposition connects vintage theater speakers and expansive LED panels, making electric currents perceptible through sound, light, and vibration. A shift in aesthetic replaceds wooden structures with transparent materials, offering a cleaner, more refined visual language. The Orochi series—named after the mythical Japanese serpent—features coiled cables that resemble snakes, capturing ambient radio signals. These signals are converted into magnetic forces, subtly swaying suspended magnets in invisible energy fields, allowing viewers to "see" the presence of signal transmissions. |