mi rifletto
Chan Shih-Tai Solo Exhibition
拙磨－詹士泰個展
2024.03.16 - 2024.04.20
2024.03.16 - 2024.04.20
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展覽介紹 一直以來，詹士泰的創作都在思考如何保持與石材平等的關係，傳統雕刻通常會去除石材表面留下的青苔、油漬、或是灰塵的痕跡後才開始製作，而詹士泰卻保留了這些痕跡，且直接在石材表面繪製草圖，讓它們成為作品中的一部分。捨棄機械加工的方式，回歸到手工操作的細節處理。他放鬆地讓製作當下的想法流入石材，一層層將雜質減去，顯露出本質，同時貼近自己心中最純粹的思緒。 詹士泰在「拙磨」個展為我們帶來過去沒有的創作形式：首次挑戰掛牆作品，讓我們以水平視角觀察藝術家對“面”的處理。或把作品置於另一個石板或是木架上，以烘托出作品本身細微的轉折空間。另外，一雙成對互相呼應的雕塑作品，帶領我們去感受他作品當中的每一處幾何的轉角、銳利的邊緣、留下的草稿線條，讓這些痕跡都成為了敘述者，低語著告訴觀者它們的故事，彷彿置身於製作的當下，深入體驗藝術家與石材之間的互動和對話。 此次的展覽主題「拙磨」不僅是一種創作方法，而是涵蓋了藝術家於創作過程意義的一種總結和反思。 詹士泰的作品不僅僅是雕塑，是他對當下心境的記錄和表達，更是一份對人生意義的平靜沈思，以及對時光流轉和情感延續的一種藝術詮釋。 。。。 About Exhibition In Chan Shih-Tai’s process of creating, he has always been thinking about the relationship between him and the stone, an equal state the artist maintains in his creation. Sculpture production conventionally removes the traces of moss, oil stains, or dust left on the stone surface before starting the production. However, these traces retains on Chan’s pieces, along with the pencil marks made directly on the stone surface, letting them become part of the work. Chan favors manual processing instead of mechanical processing, he lets his intuition flow into the stone through the gesture and movement of hand craving and grinding, gradually removes materials until revealing its essence, become an image of the artist’s genuine cogitation. Chan Shih-Tai's solo exhibition "mi rifletto" shows a creative form that he has been exploring seen: for the first time, he challenges wall-mounted works, a position that the audience will be able to observe the piece when shadow casting over its surface in vertical perspective; Some of the works are placed on stone slab or lifted up by wooden stand, contrasts the subtle arc and angle of the work with flat; A pair of sculpture that echo each other, make prominent every geometric turn, sharp edge, and pencil marks left on his works. These traces become narrators who tranquilly mutter their tales to the viewer, replaying Chan Shih-Tai’s creating circumstances, have the audience experience the interaction and dialogue between the artist and the stone. The exhibition “mi rifletto” is not just about the artist’s creative technique, initially it reflects an abstract of Chan’s meaning of creative purpose. Chan Shih-Tai’s works are a transcription of his state of mind during creating moment, moreover they are the artist’s reflection on the meaning of life, and an artistic interpretation of time flows and conveying emotions. |