2025 TAIPEI DangDai
MOC
2025.05.08- 2025.05.11
參展藝術家 Artist Introduction
ZHANG XU Zhan 張徐展
Chao-Tsai CHIU 邱昭財
b. 1977
邱昭財的作品以「類似於玩具的互動機制」作為創作發展的主要概念，運用發條動力，結合生活中觀察的片段或是抽象造型場景如：愛的鼓勵拍手的手勢、不停攀爬但終究掉落的珠子（如同薛西佛斯推巨石的人生）等，使用動態標本形式呈現，再以玻璃鐘罩將他們保存下來。試圖藉由玩心的引領觀者觸動來開啟作品的動態，透過互動操作的過程延伸自身的身體成為機械的一部分，幫助發條機械嘎嘎運轉的同時跳脫現實，反覆進出屬於日常，卻又不尋常的發條世界。目前正於就在藝術空間舉辦個展，並於2022年獲得藝術未來行動專案獎助。
Chiu Chao-Tsai focuses on "interaction mechanism" as his main concept of creation, using clockwork mechanism, combined with fragments of observation from the daily life or abstract models, such as the ‘‘Encouragement of Love’’ clapping gestures; the constantly climbing beads but eventually will fall down the slope bead (like the life of Sisyphus pushing a boulder), etc. The artist turns movements into the form of dynamic specimens and then preserved them in the glass bell jars. "Clockwork Pattern" is activated by the viewer whose playfulness has driven them to play, to extend their cognition from one's own body to the machine. This action forms a cleft for the viewer to escape from reality, a passage of going back and forth in the typical yet peculiar clockwork land.
b. 1977
邱昭財的作品以「類似於玩具的互動機制」作為創作發展的主要概念，運用發條動力，結合生活中觀察的片段或是抽象造型場景如：愛的鼓勵拍手的手勢、不停攀爬但終究掉落的珠子（如同薛西佛斯推巨石的人生）等，使用動態標本形式呈現，再以玻璃鐘罩將他們保存下來。試圖藉由玩心的引領觀者觸動來開啟作品的動態，透過互動操作的過程延伸自身的身體成為機械的一部分，幫助發條機械嘎嘎運轉的同時跳脫現實，反覆進出屬於日常，卻又不尋常的發條世界。目前正於就在藝術空間舉辦個展，並於2022年獲得藝術未來行動專案獎助。
Chiu Chao-Tsai focuses on "interaction mechanism" as his main concept of creation, using clockwork mechanism, combined with fragments of observation from the daily life or abstract models, such as the ‘‘Encouragement of Love’’ clapping gestures; the constantly climbing beads but eventually will fall down the slope bead (like the life of Sisyphus pushing a boulder), etc. The artist turns movements into the form of dynamic specimens and then preserved them in the glass bell jars. "Clockwork Pattern" is activated by the viewer whose playfulness has driven them to play, to extend their cognition from one's own body to the machine. This action forms a cleft for the viewer to escape from reality, a passage of going back and forth in the typical yet peculiar clockwork land.
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