Kawita VATANAJYANKUR
卡葳塔・瓦卡娜嫣恩(1987出生於泰國曼谷),畢業於澳洲墨爾本RMIT大學美術系(BFA),藝術家在2018年獲得香港Perspective 雜誌「Perspective 40 Under 40」藝術獎以及2015年入圍「Jaguar 科技藝術獎」。
近期重要展覽包括:「Kawita Vatanajyankur: Foul Play」,Albright-Knox 美術館,美國紐約(2019)、2019年阿布札比文化峰會,阿拉伯聯合酋長國、2018年曼谷藝術雙年展,泰國、「The Salamander Devours its Tail Twice」,46藝廊(Gallery 46),英國倫敦(2018)、「Performing Textiles」,達尼丁美術館,紐西蘭(2018)、「Squeezers」,Fleckenstein 錄像館,弗林特藝術中心,美國密歇根州(2018)、「Absurdity in Paradise」,Kasseler Kunstverein, Fridericianum 博物館,德國卡塞爾(2018)、「春假藝術展」,美國紐約(2018)、「Islands in the Stream」,Alamak!,第57屆威尼斯雙年展正式會外泰國聯展,義大利(2017)、「ARTBAR」,澳洲當代藝術博物館,澳洲雪梨(2017)、「關鍵斡施:2017亞洲藝術雙年展」,國立臺灣美術館,台灣台中(2017)、「AsiaTOPA」,亞洲表演藝術雙年展,墨爾本藝術中心,澳洲墨爾本(2017)、「Thailand Eye」,薩奇美術館,英國倫敦(2015)、「P ROX IMITY」,國立美術館,波蘭斯塞新(2014) |
Kawita Vatanajyankur (born 1987, Bangkok, Thailand) received a BFA from RMIT University, Melbourne, Australia. Vatanajyankur was winner of the 2018 Perspective 40 Under 40 Award, winner of the Young Alumni Community Engagement Award 2016 and was a finalist in the 2015 Jaguar Asia Pacific Tech Art Prize.
Selected exhibitions include: Kawita Vatanajyankur: Foul Play, Albright-Knox Art Gallery, New York, USA (2019); Culture Summit Abu Dhabi 2019, United Arab Emirates; 2018 Bangkok Art Biennale; The Salamander Devours its Tail Twice, Gallery 46, London, United Kingdom (2018); Performing Textiles, Dunedin Public Art Gallery, New Zealand (2018); Squeezers; The Scale II, Flint Institute of Arts, Fleckenstein Video Gallery, Michigan, USA (2018); Absurdity in Paradise, Kasseler Kunstverein, Fridericianum Museum, Kassel, Germany (2018); Spring Break Art Show, New York, USA (2018); Islands in the Stream, Alamak!, alongside 57th Venice Biennale, Italy (2017); ARTBAR, Museum of Contemporary Art, Sydney, Australia (2017); Negotiating the Future, Asian Art Biennial Taiwan (2017); AsiaTOPA, Asia Triennial of Performing Arts, Arts Centre Melbourne, Australia (2017); Thailand Eye, Saatchi Gallery, London, United Kingdom (2015); P ROX IMITY, National Museum, Szczecin, Poland (2014). Vatanajyankur’s work is held the National Collection of Thailand and in Museum collections including Singapore Art Museum, Dunedin Public Art Gallery (Dunedin Art Museum), Maiiam Contemporary Art Museum, as well as university collections and private collections in Australia, New Zealand, Asia, Europe and America. |
SELECTED WORKS
MEDIA
- 2019/5/9 Thailand Tatler | Artist Kawita Vatanajyankur To Exploit Exploitation At The 58th Venice Biennale / Pichaya Petrachaianan
- 2019/5/2 CoBo Social | Kawita Vatanajyankur: Awareness of Desire / Naima Morelli
- 2019/1/14 New York Times | Bangkok's First Biennale: Politics, Temples and Sex / David Belcher
- 2018 ArtAsiaPacific | Performing Textiles: Kawita Vatanajyankur / Robyn Maree Pickens
- 2017/10/26 Sundance Institute | Kawita Vatanajyankur Becomes the Machines Meant to Replace Us / Hussain Currimbhoy
- 2017/9/13 New York Times | The Art of Being Bombarded by Watermelons / Daniel McDermon
EXHIBITIONS
- 2019/7/20~2019/8/31 The Repetitiveness of Work「勞動動態」