LAI Chih-Sheng 賴志盛

LAI CHIH-SHENG 賴志盛

自1990年代以來，賴志盛持續在不同的空間或風景中進行干預性的藝術實踐——突兀褶皺的地毯、縱穿數個樓層的孔洞、被蚊子打亂的整潔空間秩序，或是用以連結學校和美術館空間的乒乓球遊戲等——以裝置、雕塑、影像等多種媒介探索了動態張力、生命經驗和藝術自由的界限等主題。賴關注細節，常在特定空間的不同元素之間創造新關係，其作品直接與觀眾的身體及存在感知相溝通，帶有一種富含詩意的後觀念藝術傾向。

賴志盛頻繁參與國際重要展演，曾於台北當代藝術館，台北(2024)，馬凌畫廊，香港(2023)，台北市立美術館，台北(2020)、霧島之森美術館，鹿兒島(2019)、觀察社，廣州(2018)等機構舉辦個展，曾參加台北雙年展(2023)、「從無到有」，之館，杭州(2021)、愛知三年展(2016)、里昂雙年展(2015)、深圳雕塑雙年展(2014)及「「不可見：看不見的藝術1957-2012」，海沃美術館，倫敦(2012)等大型展覽。

Since the 1990s, Lai Chih-Sheng has developed a subtle, sensitive practice of artistic intervention responsive to different social and natural environments—by, for example, sullying a carpet that comes with the exhibition space; vertically penetrating a building with drill holes through successive floors; sabotaging the hygiene, orderly entity of an enclosed chamber with a living mosquito; or by reconnecting the campus of a high school and a museum via a game of ping pong. His work, which spans a variety of mediums, delves into subjects such as the dynamics and tension at work in a given space; life experience, and the boundaries of artistic freedom. Always attentive to detail, Lai proposes new relationships between existing elements, dealing directly with the body and perception of the viewer by presenting highly conceptual, poetic exhibitions and projects.

Lai Chih-Sheng has held exhibitions at MoCA Taipei, Taipei (2024); Kiang Malingue, Hong Kong (2023); Taipei Fine Arts Museum, Taipei (2020); Kirishima Open Air Museum, Kagoshima (2019); and Observation Society, Guangzhou (2018) among others. He has also participated in group exhibitions at Taipei Biennial, Taipei (2023), “A Show about Nothing”, By Art Matters, Hangzhou (2021), Aichi Triennale, Aichi (2016); Biennale de Lyon, Lyon (2015); Para Site, Hong Kong (2015); Shenzhen Sculpture Biennale, Shenzhen (2014); and "Invisible: Art of the Unseen 1957—2012", Hayward Gallery, London (2012).