The end of illusions
Ou Jing-Yun Solo Exhibition
|
幽處餘暉 歐靜雲個展
2023.05.06 - 2023.06.17 |
開展 Opening | 2023.05.06 (六) Sat. 2pm
座談 Artist Talk | 2023.05.06 (六) Sat. 5pm 與談人 Panelist | 陳貺怡 國立臺灣藝術大學美術學院院長 Chen Kuang-Yi Dean of College of Fine Art, NTUA |
|
就在藝術空間很榮幸於5月份推出2021年獲得第十七屆李仲生基金會視覺藝術獎的繪畫藝術家歐靜雲的個展—「幽處餘暉 The end of illusions」。自2020年於就在藝術參與聯展「爛石與枯海」，藝術家這次探究著新的概念角度，創作一系列全新共九件畫作。
在認知與見識不斷更新的時代，過往由自然所衍生的神話和對於宇宙奧祕的假想，逐一被應證取代或證錯否定。當過往的真理如今彷彿已成為虛妄的故事，這些構築自對於未知疆域的想望，仍舊寄託著存在於心靈中的期許與慰藉。藉著簡單的幾何或是他物的樣貌，投映描繪於畫作之中。 幽處餘暉將於5月6日下午2點開幕展至6月17日。並於開幕日下午5點舉行座談會，邀請與談人臺灣藝術大學美術學院院長陳貺怡教授與歐靜雲 ，就這次展覽的主題進行對談。 展覽介紹 物質世界與智性空間藉著圖像與序列，將天空、水、土地與生命幻化象徵般的表達。物體存在與精神認知交互旋起精巧的迴圈堆疊成塔，成為一則又一則側想生命與空間誕生的故事。透過圖案，銳角與圓的觸碰可以是上帝的指尖與人類連結的宏偉一瞬，也可以是火焰或波浪生生不息秘密的探索。 克卜勒使用幾何型推演宇宙結構，翻轉托勒密宇宙的同心圓裡，標記無限的起點。圈起一幀月夜將至的彩霞，如夢似幻，描繪著天空女神肖像中的消化與生殖系統轉動地表上的破曉與餘暉。直至今日，我們透過資訊媒介尋覓著時間與真理的各式輪廓，投映出想望中那完美結構的心靈金屬。 這次展覽以荒野自然為主題，透過裝飾性的圖像與幾何型的拼貼表現大氣中的自然現象與風景。從妄言或哲思裡探尋空間的原型，其樣態在不斷被模仿與塑造中顯現，指向的會是一種現實，也可能是某種未知。對應現代生活中，確證偏誤與內心探索兩者間的拉扯，試圖理解心智對找尋意義的安慰及舒適感的源頭。 。。。。。。。 Project Fulfill Art Space pleasantly presents artist Ou Jing-Yun's solo exhibition "The end of illusions". Since Ou Jing- Yun has participated in the group exhibition " Obliteration " in 2020, this time the artist explores a new conceptual region and creates a series of nine pieces of paintings. In the era of constant renewal of cognition and knowledge, the myths derived from nature and the assumptions about the mysteries of the universe have been replaced or denied by authentication. When the truth in the past seems to have become a false story now, those presumptions of the unknown frontier still contain people’s expectations and relief, altered into geometry shapes and appearance of creatures, depicted in the paintings. “The end of illusions” will open on May 6th at 2p.m. and run until June 17th. On the opening day at 5pm Ou Jing-Yun will hold an artist talk, inviting Professor Chen Kuang-Yi to join in the discussion of the theme of this exhibition. About Exhibition The interwinded of material world and intellectual expanse has the sky, water, land and life transform into symbolic expressions like images and sequences. The interaction between the existence of objects and spiritual cognition revolves in delicate loops and stacks up into towers, telling one story after another that contemplates the birth of life and space. Through the pattern, the contact of angles and circles can be the magnificent moment of the connection between God and human beings, or it can be the exploration of the endless secrets of flames or waves. Kepler deduces the structure of the universe by using the geometric model, flips over the center point of concentric circles of the Ptolemaic universe, which marks the starting point of infinity. Encircle the colorful clouds of dusk and the approaching moon night, depicting Nuit the goddess of the sky, whose digestive and reproductive system rotate the shift of dawn and sunset. To this day, human beings have consistently looked for different forms of time and the truth through the interfaces of mediums, projecting the perfectly structured metal of the psyche. The theme of this exhibition is wildness, through decorative images and geometric collages to express natural phenomena and landscapes in the atmosphere. People inquire into words of abracadabra or philosophical theory for the archetype of space, and its form is constantly being imitated and shaped, leading to a kind of reality, or may be another mystery. Corresponding to the pull between confirmation bias and inner exploration in modern life, trying to understand the source of the mind's comfort and comfort in finding meaning. |