WANG Fujui 王福瑞

王福瑞為台灣前衛數位藝術與聲音藝術的重要先驅，長期探索聲響與感知之間的關係。

他的作品以聲音為主體，透過簡潔純粹的裝置形式，運用類比電子電路、聲音迴授(Audio Feedback)與震盪機制，產生持續變化的噪音。這些聲響乍似沒有規律或是紋理，卻在噪音和寂靜間歇地重複中，讓時間與空間的概念逐漸被打散之後又重新塑造。使而生成一種嶄新的、不可預測的，由聆聽主導的領域。

王福瑞創作聲音發生的條件，卻不完全決定其結果。在極簡的視覺結構中，聲音隨著空間、材質與電子訊號不斷變化，使觀眾從觀看轉向聆聽，感受聲音在秩序與偶然之間自然生成的獨特狀態。

王福瑞目前為北藝大新媒體藝術學系助理教授，他的創作廣為展出於國內外美術館與藝術節，包含台北立方計畫空間、台北就在藝術空間、台北當代藝術館、台北數位藝術中心、台北雙年展、香港巴塞爾藝術展、紐西蘭基督城The Physics Room、柏林電子藝術表演實驗室、卡爾斯魯厄藝術與媒體中心、林茲電子藝術中心、巴黎École nationale Supérieure des

Beaux-Arts、芝加哥Antena藝術空間、舊金山The Lab空間、紐約皇后美術館、盧森堡卡西諾當代藝術中心、德勒斯登赫勒勞節慶劇院、格拉斯哥當代藝術中心、倫敦Cafe Oto、里昂國立高等藝術學院、墨爾本維多利亞藝術中心、布里斯本當代藝術中心。他的聲音裝置、作品影像與現場表演發表在不同的出版與媒體，最廣為人知的作品有聲泡(2008)、聲點(2010)、超傳波(2011)和電磁音景(2012)。

簡歷 Biographical documents

Wang Fujui is a leading pioneer of avant-garde digital art and sound art in Taiwan. His practice has long explored the relationship between sound and perception.

Focusing on sound, his works employ simple installation forms, using analog electronic circuits, audio feedback, and oscillation mechanisms to generate continuously evolving noise. These sounds may initially seem irregular or devoid of texture. Yet, through the repetition between noise and silence, our notions of time and space are gradually dismantled and reconfigured, bringing up a new and unpredictable realm conducted by listening.

The artist creates the instruments for sound to emerge without fully control the outcome. Within minimalist visual structures, sound continually shifts in response to space, materials, and electronic signals, guiding viewers away from looking and toward listening, allowing them to experience the unique state in which of sound generated between order and chance.

Wang Fujui is currently an assistant professor of the Taipei National University of the Arts, Department of New Media Arts, TNUA. His work has been widely exhibited in museums and festivals in Taiwan and abroad, including TheCube Project Space (Taipei), Project Fulfill Art Space (Taipei), Museum of Contemporary Art Taipei, Digital Art Center Taipei, Taipei Biennial, Art Basel Hong Kong, The Physics Room (Christchurch, New Zealand), Lab for Electronic Arts and Performance (Berlin), ZKM (Karlsruhe), Ars Electronica Center (Linz), École nationale Supérieure des Beaux-Arts(Paris), Antena (Chicago), The Lab (San Francisco), Queens Museum (New York), Casino Luxembourg, Festspielhaus Hellerau (Dresden), Centre for Contemporary Arts Glasgow, Cafe Oto (London), Ecole Nationale des Beaux-Arts de Lyon, Arts Centre Melbourne and The Institute of Modern Art (Brisbane). His sound works, videos and live performances have been issued on publications and media, most notably, Sound Bulb (2008), Sound Dots (2010), Hollow Noise (2011) and Electromagnetic Soundscape (2012).