WANG TE-YU 王 德 瑜
王德瑜的作品一向訴求簡單的概念,她一直嘗試著在極簡的媒材裡探索空間的存在感,並進而思考人於空間裡的存在形式與狀態。…在她一系列以作品序號為標題的空間創作裡,呈現了對空間主題的持續性研究,轉換空間與人的主體 / 客體關係,並讓身體的感官經驗取代視覺經驗,以觀眾與作品的互動體驗值作為一個藝術家提供「進入」作品精神的入門之徑,一個表徵藝術家主觀意識的作品卻包容了參與觀眾的主觀經驗,在互動的機制裡築構了一個共感空間。
文字截取自:黃舒屏 / 展覽論述 /【漫無目的—王德瑜個展】畫冊 |
Wang Te-yu's works have always sought simple ideas. She has always tried to explore the feeling of spatial presence with simple media, and go on to meditate on the existential form and situation of people in these spaces. In 1990 she began spreading out a pure spatial form with fabrics of different material, and this has become a primary motif in the artist's work. In a series of spatial creations whose titles begin with a number, she has pursued continuous research into the spatial theme, transforming the subjective / objective relationship between spaces and people, and letting the body's sensory experience replace visual experience. In this way the interactive experience between viewers and works functions directly as a pathway that the artist provides for “entry” into the spirit of the work—a work that symbolizes the artist's subjective consciousness. The work also unexpectedly encompasses the participating viewer's subjective experience and constructs a commonly-sensed space through the mechanism of interaction. (Text by Iris Huang)
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