CHOU YU-CHENG 周 育 正
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周育正1976年出生於台灣台北，畢業於法國國立巴黎高等藝術學院與塞納河研究計畫學程。目前生活工作於台灣台北。他的藝術計劃強調於視覺造型背後的工作程序，關注於如何在現成事物中產生出另類的操作模式，同時顯露出既定事實的問題，並在合作的各端點中產生出相對應的另類利益。他的創作形式因不同的計畫而異，但大多以「中介者」的角色提案或媒合了他視為「現成物」之個人、企業與機構組織，並透過一些「工作程序」的操作，例如轉移、轉讓、或是時間、地點的差異，產生出計劃的結果，形成來源與結果間的相互辯證。近期重個要展於：馬凌畫廊個展，上海，中國（2017)、就在藝術空間個展，台北，台灣（2016）、柏林貝塔寧藝術村（2015）、臺北市立美術館，台北，台灣（2014）、高雄市立美術館，高雄，台灣（2014）、英國曼徹斯特華人藝術中心（2013）等。近期重要聯展於利物浦雙年展2018，英國、香港巴塞爾藝術展「Encounters」公共展區（2018）、關渡美術館，台北，台灣（2017）、Salford Museum & Art Gallery，曼徹斯特，英國（2017）、Te Tuhi，奧克蘭，紐西蘭（2016）、台北雙年展，台北市立美術館，台北，台灣（2016）、紐約新美術館，美國（2015）、皇后雙年展，皇后美術館，紐約，美國（2013）。2011年榮獲台新藝術獎年度視覺藝術大獎以及2012臺北獎首獎。
Chou Yu-Cheng (born 1976, Taipei) studied at the l’Ecole Nationale Supérieure des Beaux-arts de Paris, and the research program - La Seine. His work expresses his intentions by emphasizing the procedure and operation behind his work. To a certain degree, he focuses on how to produce an alternative method of operation that simultaneously reflects the problems of reality and proffers alternatives with their corresponding benefits. His intention is to reflect on the existing state of society, politics, and the economy, as well as on local issues. Recent solo exhibitions include at Edouard Malingue Gallery, Shanghai, China (2017); Project Fulfill Art Space, Taipei, Taiwan (2016); Kunstlerhaus Bethanien, Berlin, Germany (2015); Taipei Fine Arts Museum, Taiwan (2014); Taipei Fine Art Museum, Taipei (2014); Kaohsiung Fine Art Museum of Fine Arts (2014); Centre for Chinese Contemporary Arts, Manchester, United Kingdom. Recent group exhibitions include: Liverpool Biennial 2018; ‘Encounters’ public sector, Hong Kong Art Basel 2018; Kuandu Museum of Fine Arts, Taipei, Taiwan (2017); Salford Museum & Art Gallery, Manchester, United Kingdom (2017); Te Tuhi, Auckland New Zealand (2016); Taipei Biennial, Taipei Fine Arts Museum (2016); New Museum, New York, United States (2015); Queens International, Queens Museum (2013). Chou received The Taishin 2011 Annual Visual Art Award, shortlisted for the 2011 Signature Art Prize, Singapore and was awarded the 2012 Taipei Art Award Grand Prize. 

HSIEH MU-CHI 謝 牧 岐
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謝牧岐1981年生於台北，2009年畢業於台北藝術大學美術創作研究所。目前生活於台北，其創作形式是結合繪畫、行為與影像拍攝，進而探討藝術家的身份以及人與繪畫的關係。從謝牧岐的創作可以觀察出對於繪畫的熱情，他喜好以幽默與戲謔的手法，引領著觀者進入作品之中。近期個展於關渡美術館「忘山」。
槩藝術「前山」。歷年國內外展覽參與台北林舍畫廊「溢界、邊線」、國立台灣美術館 「一座島嶼的可能性 –2016台灣美術雙年展」、科隆藝術博覽會「強迫藝術徵」、韓國大邱藝術博覽會「閃爍的世界」。泰國國際藝術大學藝術家駐村計畫、韓國國立高陽藝術工作室國際藝術家駐村計畫（MMCA Residency Goyang）、高雄駁二藝術特區藝術家進駐計畫等經歷。
Hsieh Mu-Chi was born in 1981, Taipei, Taiwan and received a M.F.A. degree from Taipei University of the Arts, School of Fine Arts. He currently lives and works in Taipei. Hsieh's artistic style incorporates painting, performance and photography, inquiring into the identity of the artist and the relationship between human beings and painting. His work invites audiences to appreciate a passion for painting as well as the humorous and mocking tones in his art practice. His previous major solo exhibitions include Unforgotten at Kuandu Museum of Fine Arts, Taipei (2017) and Geophilosophical Mining at GAIART, Taipei (2016). Previous group exhibitions include Borders and Beyond at Lin & Lin Gallery, Taipei (2017), 2016 Taiwan Biennial: The Possibility of an Island at National Taiwan Museum of Fine Arts, Taichung, Taiwan (2016), Hyperactive Symptoms of Contemporary Art Taiwan, at Art Cologne, Germany, The Twinkle World, at Daegu Art Fair, South Korea, International Residency Exchange Programs at Silpakorn University, Thailand, MMCA Residency Goyang, South Korea and Artist-in-Residence Program at Pier-2, Kaohsiung, Taiwan.

SYU JIA-JHEN 許 家 禎
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許家禎1986出生於台灣彰化，畢業於國立臺灣藝術大學雕塑學系。他的藝術實踐旨在重塑人類活動與物質間的轉變，整合歷史與美學的相互關係，通過綜合雕塑技術產生物質與感性的新路徑，籍以理解人類與物或產業的變異。在早先的計畫中，許家禎將在地性的現代主義雕塑、紀念碑的歷史辯證與其美學轉向，如何脈絡化台灣都市發展與政權轉替的過程，重新演繹紀念碑「台座」、「紀念物」以及「雕塑」的價值轉變。對許家禎而言，事物表微除了反映時代邊遷、舊新兩元，也來自於心理認同：如何創造第三種存在特性，避免歷史的懷舊，是他所考量的美學基礎。近期展覽：「走私：ㄧ個越境的生命經濟學」，關渡美術館，台北（2018）、「又在這裡，又在那裡－2018寶藏巖光節」，寶藏巖藝術村，台北（2018）、「何以為度？」FORMOSA雕塑雙年展，駁二藝文特區，高雄（2015）、「蟲洞劇場（文件編號：E120N23）」，高雄市立美術館，高雄（2014）、「穿走地中」，弔詭畫廊，高雄（2013）、「Street Art: We Are the City」，Thailand Ratchaburi，泰國（2013）、「All Is Not Forgotten」個展，藝術8，新竹（2013）策展：「都是更新：Abandoned by Life」，五七藝術工作室，台南（2012）、「高難度失誤」，南海藝廊，台北（2011）。
Syu Jia-Jhen was born in 1986 in Changhua, Taiwan, and obtained his BFA in Sculpture at Taiwan National University of Arts. His art practice aims to reinterpret the changes between human activities and objects, while integrating the relationship of history and aesthetics. Through his sculptural approach he explores new ways to examine the materiality and sensibilities of objects, towards an understanding of the shifting relationship between humanity, objects and industries. Syu’s earlier work examines how local modernist sculptures that exist today are threaded within Taiwan’s process of urban development and the transfer of political power, reflecting the historical discourse of memorials as well as the changes in aesthetic trends. His work reinterprets the changing values towards the perception of ‘pedestals’, ‘memorial objects’ and ‘sculpture’. For Syu, objects not only reflect the shifting trends of the times - a binary existence of the old and the new, but also stems from a psychological identity. The question of how to create a third kind of distinction for existence, avoiding the nostalgia of history, is Syu’s foundational aesthetic consideration. Previous exhibitions include: So Far, So Right: A Study of Reforms and Transitions Across Borders, Kuandu Museum of Fine Arts, Taipei (2018); Here & There – 2018 Treasure Hill Light Festival, Treasure Hill Artist Village, Taipei (2018); Incommensurable – Formosa Sculpture Biennial 2015, Pier-2 Art Center, Kaohsiung (2015); Wormhole Theater, Kaohsiung Museum of Fine Arts, Kaohsiung (2014); Land Up in the Ground, Crane Gallery, Kaohsiung (2013); Street Art: We Are the City, Thailand Ratchaburi, Thailand (2013); All is Not Forgotten solo exhibition, Art 8, Hsinchu (2013). Curatorial: Abandoned by Life, 57 Art Studio, Tainan (2012); Difficult Mistake, Nanhai Gallery, Taipei (2011).

YANG CHI-CHUAN 楊 季 涓
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楊季涓，1985年出生，2011年取得法國國立巴黎高等藝術學院國家高等造型藝術文憑，2007年畢業於國立臺灣藝術大學雕塑學系。近年的創作，透過個人式的綿延呢喃，渲染觀者自身的相似場境，開啟時間、空間與事物的記憶。她的記憶資料庫即為創作軀幹，內容廣泛涉及於家庭、政治、動物、食物等人文科學複式範疇。近期個展：臺北國際藝術村「短篇集：風和日麗」（2017）、咩事藝術空間「Tick-Tock」（2017）、朱銘美術館「短篇集：從夜晚10點到清晨5點」（2017）、Grey Projects「美好世界」（2016）、南海藝廊「標本與實記本」（2014）。駐村計畫：香港咩事藝術空間（2017）、新加坡Grey Projects（2016）。獲獎經歷：2017台北美術獎入選。
Yang Chi-Chuan (b. 1985), graduated from the National Taiwan University of Arts in 2007 with a BFA in sculpture and obtained in 2011 a National Superior Plastic Arts Diploma (DNSAP) from Ecole Nationale Supérieure des Beaux-Arts in Paris, France. Yang’s artworks utilize sound based personalized murmurings that call upon our own similar experiences, seeking to open up memories related to time, space, objects, and events. Based on her own personal memory databank, Yang’s art practice explores the issues connected to family, politics, animals, and food, extending into the humanities and social sciences. Yang’s recent solo exhibitions include: Have a Good Day, Taipei Artist Village (2017); Tick-Tock, Things That Can Happen in Hong Kong (2017); Essays During the Night, Juming Museum (2017); What a Wonderful World, Grey Projects, Singapore (2016); Specimen, NanHai Gallery, Taipei (2014). Yang has participated in residency programs at Things That Can Happen in Hong Kong (2017) and Grey Projects in Singapore (2016). In 2017 Yang was selected for the Taipei Art Award Judges Award.

WANG FUJUI 王 福 瑞
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王福瑞為台灣早期重要前衛的數位藝術以及聲音藝術家和策展人，他帶領台灣聲音藝術進入了新的領域與發展，1993年以先鋒之姿成立台灣第一個實驗音樂廠牌和出版刊物「NOISE」，2000年加入台灣媒體藝術發展中少數以互動為主的創作實驗團體「在地實驗Etat」，並推動國際「異響BIAS」聲音藝術展與「台北數位藝術節」聲音藝術類別。他曾工作於台北數位藝術中心以及北藝大藝術與科技中心，並策劃多場相關展覽與活動，包含2008年、2009年、2010 年、2012年的「超響」聲音藝術節，2007年至2009年的「台北數位藝術節」。2011年與盧藝成立「響相工作室」，持續致力推動海內外聲音藝術相關展覽與表演以及工作坊，該工作室致力嘗試以創新實驗性的聲音作為主要核心概念，執行聲音藝術相關創作與其推廣計畫。
 
王福瑞目前為北藝大新媒體藝術學系助理教授，他的創作廣為展出於國內外美術館與藝術節， 包含台北立方計畫空間、台北就在藝術空間、台北當代藝術館、台北數位藝術中心、台北雙年展、香港巴塞爾藝術展、紐西蘭基督城The Physics Room、柏林電子藝術表演實驗室、卡爾斯魯厄藝術與媒體中心、林茲電子藝術中心、巴黎École nationale Supérieure des Beaux-Arts、芝加哥Antena藝術空間、舊金山The Lab空間、紐約皇后美術館、盧森堡卡西諾當代藝術中心、德勒斯登赫勒勞節慶劇院、格拉斯哥當代藝術中心、倫敦Cafe Oto、里昂國立高等藝術學院、墨爾本維多利亞藝術中心、布里斯本當代藝術中心。他的聲音裝置、作品影像與現場表演發表在不同的出版與媒體，最廣為人知的作品有聲泡(2008)、聲點(2010)、超傳波
(2011)和電磁音景(2012)。
Wang Fujui is a sound artist and curator specialized in sound art and interactive art whose work has played a key role in establishing sound as a new artistic genre in Taiwan. A pioneer of sound art in Taiwan, he founded “NOISE” in 1993, the country’s first experimental sound label. In 2000 he joined the media art collective “Etat” and launched the “BIAS” International Sound Art Exhibition and Sound Art Prize for the Digital Art Awards Taipei. He worked for the Taipei Digital Arts Center and the Center for Art and Technology, TNUA, he has curated numerous exhibitions and festivals, including the 2008, 2009, 2010 and 2012 editions of the “TranSonic” Sound Art Festival and the 2007 to 2009 editions of the “Digital Art Festival Taipei”. In 2011 Fujui Wang and Yi Lu have co-founded the Soundwatch Studio to promote the creation, exhibition, performance and workshop of renovating experimental audio art both locally and internationally.
 
Wang Fujui is currently an assistant professor of the Taipei National University of the Arts, Department of New Media Arts, TNUA. His work has been widely exhibited in museums and festivals in Taiwan and abroad, including TheCube Project Space (Taipei), Project Fulfill Art Space (Taipei), Museum of Contemporary Art Taipei, Digital Art Center Taipei, Taipei Biennial, Art Basel Hong Kong, The Physics Room (Christchurch, New Zealand), Lab for Electronic Arts and Performance (Berlin), ZKM (Karlsruhe), Ars Electronica Center (Linz), École nationale Supérieure des Beaux-Arts(Paris), Antena (Chicago), The Lab (San Francisco), Queens Museum (New York), Casino Luxembourg, Festspielhaus Hellerau (Dresden), Centre for Contemporary Arts Glasgow, Cafe Oto (London), Ecole Nationale des Beaux-Arts de Lyon, Arts Centre Melbourne and The Institute of Modern Art (Brisbane). His sound works, videos and live performances have been issued on publications and media, most notably, Sound Bulb (2008), Sound Dots (2010), Hollow Noise (2011) and Electromagnetic Soundscape (2012).