HSU CHIAO-YEN  許 喬 彥

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許喬彥 1990 生於台灣嘉義,畢業於國立台南藝術大學造形藝術研究所,專⻑複合媒材裝置。過去擅⾧以材料與空間的質量轉換顯現著時間與痕跡消長關係,透過繪畫性的創作語⾔重新建構人們的記憶中的感性輪廓。

創作多記錄著⽣活中諸多正在⾏進、消逝中的「記憶與痕」。藉以⽣活中低廉的物料 作為創作基礎如⽊炭、紙箱、帆布、 塑膠袋...等,將這些素材藉以蔓延、覆蓋的繪畫性手法,在新的空間框架中進行抽象量體的視覺再造,在新的形體中揭露出人性慾望下⾚裸的空間文本。所創造的各式輪廓中,⼈與空間、空間與物質三者係成為感官記憶的⽅向導引, 場所的意象如同時間封包般的被顯現於此,在層疊的時空中交織出「存留/消逝」、 「理性/感性」的並置衝突,也框構出人們之於⽇常記憶擾動的想像經驗。 

2016年入圍「台北美術獎」， 2013年分別入圍「桃源創作獎」及「台灣美術新貌展」，2012年獲「新北市創作新人獎優選」。
重要個展：「不及-許喬彥個展，就在藝術空間，台北，(2017)」、「像風一樣，台北國際藝術村，台北(2016)」、「威化（一種餅乾），伊通公園，台北(2015)」、「束縛的飄蕩，BankART1929，橫濱(2015)」、「廓-許喬彥個展，就在藝術空間，台北，(2014)」、「斷層掃描，有為空間，台中(2013)」。
重要聯展：「台北美術獎，台北市立美術館，台北(2016)」、「當代一年展-情如物證，爭艷館，台北(2016)」、「藝術與都市， 橫濱與台北，BankART1929，橫濱，日本(2015) 」、「微型居所：藝術家和創意人的迷你宅聯展，方所，廣州(2014) 」、「新北市創作新人獎，新北市文化中心，台北 (2013)」、「形而上-桃園創作奬，桃園縣政府文化局，桃園 (2013) 」。
Hsu Chaio-Yen was born in Chiayi, Taiwan, in 1990, and graduated from the Graduate Institute of Plastic Arts at the Tainan National University of the Arts, with expertise in installations of mixed media. His past works specialize in the transformation of the quality of materials and space, revealing the growth and decline of time and traces. Through the use of a creative painterly language, Hsu reconstructs the contours of our sensibility within our memories.
 
For a long time, my art practice has focused on recording a number of ongoing and disappearing memories and traces in our lives. For us, traces can represent the actual existence of a previous event, or memories in our mind, which are sometimes clear and at other times obscure.    
Over the years, my work has primarily used low-cost everyday materials such as charcoal, cardboard, canvas, plastic bags, etc. Using a drawing technique, these materials expand and overlay onto a new space, conducting a visual reconstruction of abstract forms within the frame, exposing the naked spatial text of human desires. Out of the various contours of my work, the three elements: people, space, and materials are direction guides for people’s sensory memory, and images of spaces are presented in a way resembling the feature of time packets. A juxtaposition of conflicts between residue and disappearance as well as sense and sensibility in the interwoven time and space also constructs an imaginary experience in human beings’ everyday turbulent memory. 

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