PUBLICATIONS
Lin Guan-Ming Flipbook 'Sunset'
林冠名 手翻書 《暮》
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8 分鐘的「暮」錄像作品，是林冠名在網路找的 90 個濾鏡重複套在每秒 24 格的影格裡。閃爍連續的濾鏡影像呼應現今我們觀看影像的速度，對影像的感受正在快速切換。林冠名將錄像概念延伸到手翻書，每一頁的影像套用一個濾鏡：隨著翻動書冊，在 90頁，90 個濾鏡下看到日落海景的變化。
In the original 8-minute video, Lin Guan-Ming selected 90 filters sourced online and repeatedly applied these filters to each frame of the 24 frames per second video. The resulting flickering effect reflects the speed in which we consume visual content today, giving a sensation that the images are constantly switching. Lin Guan-Ming extended the concept to create a flipbook, the 90 filters are separated to each page, and as the pages are turned, the image of a setting sun can be seen through 90 different filters over 90 pages. |
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「暮」手翻書，共 90 版 ‘Sunset’ Flipbook, 90 editions
備註：我們將依照付款順序排號。恕無法挑選版次號碼。詳細購藏及寄送方式，請洽就在藝術空間。 Please note: Editions will be assigned by order of payment, specific editions cannot be requested. Please contact us for more information. > About the video artwork Sunset《暮》錄像作品介紹 > About the artist 藝術家介紹 |
Sung-Chih Chen: Comparative - Deep - Hues Solo Exhibition Book
「比較深的灰」陳松志個展 專書
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「比較深的灰-陳松志個展」專書，收錄2017年於高雄弔詭畫廊所發表幾件最新「現地裝置藝術」創作，包含《散場》、《比較深的灰》、《無題2017》、《無題-房間四（素描）》、《倒裝的語句》。弔詭畫廊作為南台灣指標性之當代藝術展演空間，對於一個裝置藝術創作者如何在在地文化聚落與當代美學間穿透生發成藝術現場無非是個難得的挑戰與試煉。本書透過藝術家自述、創作圖錄、作品簡介以及邀集弔詭畫廊藝術總監李美政女士、藝術家黃彥穎先生針對新作以及歷年創作之脈絡進行專文書寫。同時特別收錄《比較深的灰》座談記實，由朝陽科技大學視傳系徐洵蔚教授、前高雄市立美術館李俊賢館長一同參與的藝術家對談語錄匯集成冊，讓觀賞者（讀者）有機會透過專書重溫現地裝置的空間張力，同時藉由文字更深入賞析台灣當代藝術多元的面貌展現。本書完整記錄弔詭畫廊「比較深的灰-陳松志個展」之新作創作內容。透過本書藉此可讓讀者進一步的閱讀陳松志於裝置藝術創作中獨特的美學與創作脈絡，並提供有興趣研究台灣當代藝術創作發展之相關單位及個人作為文獻收藏之用。
專文作者及座談講者簡介： 李美政，弔詭畫廊藝術總監 黃彥穎，藝術家/文化部獎助選赴法國巴黎「西帖國際藝術中心」藝術家 徐洵蔚，藝術家/朝陽科技大學視覺傳達設計系專任教授 李俊賢，藝術家/前高雄市立美術館館長 特別感謝：財團法人國家文化藝術基金會、弔詭畫廊、就在藝術空間 Sung-Chih Chen: Comparative - Deep – Hues exhibition book contains the collection of new site-specific installations by the artist Chen Sung-Chih, from his 2017 solo exhibition at Crane Gallery, Kaohsiung. Works include End of the Show; Comparative – Deep – Hues; Untitled 2017; Untitled – Room 4 (Drawing) and Inverted Syntax. Recognized for its representation of contemporary art in Southern Taiwan, Crane Gallery presents a rare challenge and trial space for installation artists to engage with the local culture, integrating aesthetic perspectives with contemporary art discourse. The publication contains an artist statement, a catalogue and introduction of works, as well as essays by contributing writers Lee Mei-Cheng, Director of Crane Gallery and artist Huang Yen-Ying, on the new works and context of Chen Sung-Chih’s developing art practice over the years. Also included is a record of the exhibition’s artist talk, with guest speakers Hsu Hsun-Wei, Professor at the Department of Visual Communication, Chaoyang University of Technology and Li Jiun-Shyan, former Director of Kaohsiung Museum of Fine Arts, in conversation with the artist, compiled into a transcript allowing readers to re-examine the depth and breadth of the site-specific installations, as well as engaging a deeper appreciation for the diversity of Taiwan’s contemporary art scene. Through this comprehensive text readers can gain further insight into Chen Sung-Chih’s unique aesthetics and art practice. The publication provides a valuable addition for individuals or groups interested in collecting or researching the development of contemporary art in Taiwan. Contributing writers and artist talk guest speakers: Lee Mei-Cheng, Director of Crane Gallery, Kaohsiung Huang Yen-Ying, Artist Hsu Hsun-Wei, Professor at Chaoyang University of Technology Department of Visual Communication Li Jiun-Shyan, former Director of Kaohsiung Museum of Fine Arts Special thanks to: National Culture and Arts Foundation, Crane Gallery and Project Fulfill Art Space. |
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> About the artist 藝術家介紹 |
Chen Chien-Jung Selection 2015-2019
陳建榮 Selection 2015-2019
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「這五年來又累積了一些自己喜愛的作品，精選了其中的一部分，且收錄了兩篇專業的評論文字在內。期許透過這本專輯，能讓觀者更清晰完整的瞭解創作過程思維，也具現了現階段的某些藝術實踐。」－ 陳建榮
專文作者簡介： 張玉音，典藏 ARTouch.com 總編輯 蕭瓊瑞，國立成功大學 歷史學系教授 出版贊助：財團法人國家文化藝術基金會 “Over the past five years I have accumulated my favorite works and selected some of them for this catalogue, along with two critical reviews. I hope that through this catalogue readers can gain a clearer and deeper understanding of my creative process and thinking behind the artworks, while representing my current art practice.” – Chen Chien-Jung Contributing writers: Chang Yu-Yin, ARTouch.com Editor in Chief Professor Hsiao Chong-Ray, Department of History, National Cheng Kung University, Taiwan Sponsored by: National Culture and Arts Foundation |
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> About the artist 藝術家介紹 |