Art Taipei 2021
Art Power 特區 / The Exceptional 例外狀態
Booth L05
21 - 25 October 2021
Art Power 畫廊特區 L05
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Artists
畫廊展區（Booth L05）主題‘The More the Merrier’「多多益善」首次將十一位優秀藝術家聚集在國際藝術平台上，包含平面繪畫藝術家陳建榮，吳東龍，謝牧岐，許尹齡，王璽安與智海，和新一代攝影藝術家徐婷和繪畫藝術家彭禹慈。就在藝術空間以對非傳統藝術的熱情而聞名，聲音和裝置藝術本次也無缺席，這次呈現台灣藝術家邱昭財與日本藝術家毛利悠子的全新聲響和機械動力雕塑。 |
陳建榮 Chen Chien-Jung
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吳東龍 Wu Tung-Lung
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謝牧岐 Hsieh Mu-chi
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許尹齡 Hsu Yinling
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Project Fulfill Art Space's booth display (L05) expresses the mantra ‘The More the Merrier’, bringing together for the first time eleven uniquely talented artists on the international art stage. New works from well-recognized Taiwanese painters Chen Chien-Jung, Wu Tung-Lung, Hsieh Mu-Chi, Hsu Yinling and Sean Wang, as well as Hong Kong artist Chihoi, and new generation artists Hsu Ting and Peng Yu-Tzu working in photography and painting respectively. Known for our flare in working with unconventional artworks, it would not be the same without showcasing artists based in sound and installation art – Chiu Chao-Tsai from Taiwan, and Japanese artist Yuko Mohri, both bringing their latest sound and kinetic sculptures.
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智海 Chihoi
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王璽安 Sean Wang
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彭禹慈 Peng Yu-Tzu
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邱昭財 Chiu Chao-Tsai
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徐婷 Hsu Ting
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毛利悠子 Yuko Mohri
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The Exceptional - Curatorial Section
Chen Jun-Yu Performance Art
例外狀態 策展單元 - 陳俊宇 行為藝術演出
陳俊宇 Chen Jun-Yu
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就在藝術空間一直以來為觀眾的每一種藝術體驗中，不斷挑戰當代藝術的邊界。此次在「例外狀態」策展單元呈現陳俊宇的行為演出《_USED TO》以個人身體作為與環境社會衝撞、遇合的現場，藝術家在由紙堆製成的台座上演出對體力要求很高的姿勢和儀式般的動作，一層一層地切割他的身體輪廓，留下的是他身體和動作的迷人曲線，就像親眼目睹藝術家的身心冥想慢慢呈現。當我們觀察他疲憊的積累時，露出一個新出現的雕塑人物的原始狀態，就像一個被時間拼接的身體，敘述了藝術家存在的地形。
Project Fulfill Art Space continues to push the boundaries of each creative experience we bring to audiences. For the curatorial theme ‘The Exceptional’, we bring Taiwanese artist Chen Jun-Yu’s performance _USED TO, using his body as a site for collision and encounter with the environment and society. His work consists of physically demanding positions and ritual-like movements, as the artist sits on top of a pedestal made out of paper, and cuts his body’s outline layer by layer. What is left behind is a mesmerizing contour of his body and movement, like witnessing the artist’s mental and physical meditation slowly growing into existence. As we observe the accumulation of his exhaustion, the layers of sliced paper fall away revealing the rawness of a newly emerged sculptural figure, like a body spliced through time, beautifully narrating the topography of the artist’s presence.
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